• Friday 19 November 2021 at 09:30
    Wiltshire Council Section 14(1) of the Road Traffic Regulation Act 1984 Temporary Closure of: White Hill (Part), Pitton and Farley (TTRO 7639) Notice is hereby given that Wiltshire Council...
  • Friday 03 December 2021 at 19:00
    Adults £10, U-16 £5, Family (2 adults, 2 U-16) £25. Tickets are available from October 18th from 01722 712469.
  • Saturday 04 December 2021 at 14:00
    Adults £10, U-16 £5, Family (2 adults, 2 U-16) £25. Tickets are available from October 18th from 01722 712469.
  • Saturday 04 December 2021 at 19:00
    Adults £10, U-16 £5, Family (2 adults, 2 U-16) £25. Tickets are available from October 18th from 01722 712469.
  • Thursday 23 December 2021 at 19:00
    A date for your diary: The Pitton Carol Service will take place in St. Peter's Church, Pitton on Thursday 23rd December at 7pm.

Mozart and Mendelssohn – the Wiltshire Quartet

Sunday 17 April 2016 at 19:00

The Wiltshire Quartet led by Bill Benham is joined by the distinguished viola player Keith Lovell to play Mozart G minor Quintet K516.

Brian Lloyd-Wilson (violin) and Laurie MacLeod (cello), and their son Matthew Lloyd-Wilson (violin), will then join the Quartet to play Mendelssohn’s Octet Opus 20.

The Wiltshire Quartet, led by Bill Benham, is joined by distinguished violist Keith Lovell to play Mozart’s G minor Quintet, K516.  The other members of the Wiltshire quartet include Catherine Demetriadi (violin), Martin Alford (viola), and Dawn Thompson (cello).

The Mozart quintet presents audiences with an aural feast. According to musicologist and editor Michael Lorenz, it is “one of the greatest pieces of chamber music ever written. Its slow movement in E flat major has been described as ‘prayer’ by Alfred Einstein”. According to Tchaikovsky, “No one else has ever known as well how to interpret so exquisitely in music the sense of resigned and inconsolable sorrow.”

Wiltshire Quartet’s Catherine Demetriadi added: “Written in 1825 when Mendelssohn was just 16, the Octet is a masterpiece – a joy to hear and, although challenging for the performers, equally a joy to play.”

She pointed out that, according to Peter Guttman’s Classical Notes 2013, “(M)any commentators have asserted that no other composer – not even Mozart – has ever written a major piece of such astounding quality at such a tender age”.

Tickets  are available for just £10 each from the Salisbury Playhouse Box Office (telephone: 01722 320333) or on the door.

All concerts take place in All Saints’ Church, Farley, Salisbury SP5 1AH
For further details contact friends@farleymusic.co.uk

Bill Benham (violin)

Bill Benham

Bill Benham

Bill studied the violin with a number of masters including Jean Pougnet and Alfredo
Campoli. He was a member of the Bath Festival and London Symphony Orchestras. During his five years with the LSO, he performed in the Nash Ensemble and the Academy of St Martin–in-the Fields, before being appointed co-leader of the Northern Sinfonia. From 1975 to 2003, he was a session musician playing in a wide variety of films and recordings. He has given a number of recitals, one at an International festival, and has made several CDs of his concerts. He leads the Wiltshire Quartet, which has played several concerts in the area. His violin is a copy of Paganini’s “Canon”, made by Tibor Szemmelveisz.

Keith Lovell (viola)

A Londoner by birth, Keith Lovell started playing the violin at the age of eight. When he left school, it was with the dire warning from his headmaster that “Music alone will get him nowhere”

Keith Lovell.After two years national service with the Band of the Grenadier Guards, he won a scholarship to the Royal College of Music where he studied the viola with Frederick Riddle. On leaving the RCM he joined the Royal Philharmonic Orchestra, which in those days still had Sir Thomas Beecham as its principal conductor.

In 1958 Keith moved to Devon to become a founder member of the Dartington String Quartet which flourished both at home and abroad for over twenty years.When the Quartet disbanded, Keith joined the Allegri Quartet with whom he played for eight years. He was also appointed Professor of Viola at Trinity College of Music.

During the 1990s Keith played regularly with the Bournemouth Sinfonietta and following the demise of that orchestra, he returned to South Devon where he divided his time between teaching and freelance playing in orchestral and chamber music groups. He now lives in Wiltshire in semi- retirement and spends his spare time “messing about in boats”.

Catherine Clark Demetriadi (violin)

Catherine Demetriadi

Catherine Demetriadi

Catherine Demetriadi began her violin studies as a student of Anne Gombosi, principal of the All Newton Music School near Boston, continuing in high school with Joe Schaaf at the Cambridge School of Weston. Her chamber music and orchestral playing took off during summers at Greenwood Music Camp in western Massachusetts.

Catherine moved to Wiltshire in 2009 to take up the post of Head of Development for the Royal School of Church Music. She has set up a charity development consultancy, FundraisingPoint and is a founding Adviser with Church Music Future, a church consulting agency founded in 2015

Catherine plays with the Salisbury Symphony Orchestra and the Salisbury Sinfonia as well as gigging for charity events and playing in worship services. She was a founding member of the Farley Quartet along with Martin Alford, and the two of them joined forces with Bill Benham and Dawn Thompson in the autumn of 2014 to form the Wiltshire Quartet, which made its Salisbury and Dorset debuts in December. She also sings with various ‘pick-up’ groups including the Farley Chorale, Poscimur and QPM and is an artist, writer, and photographer.

Dawn Thompson (cello)

Dawn started her working life as a peripatetic cello/bass teacher in Wakefield. On moving to Cheshire she added violin to her teaching practice and coached orchestras in both Crewe and Nantwich.

Dawn Thompson

Dawn Thompson

She moved to Wiltshire in 1994, where she was employed as a cello teacher at St Mary’s and St Margaret’s Schools in Calne, and a few years later moved to Dauntsey’s School as a teacher and Co-Ordinator of Instrumental Music. She has led the cello section in many amateur orchestras and has enjoyed conducting, composing and arranging music throughout her career. Since leaving Dauntsey’s School (in September 2011) she has developed her love of textiles, and now spends much of her time in the Steeple Ashton Textile Studios where she is a spinner, weaver and dyer.

Martin Alford – viola, organ and piano.

Martin Alford graduated as a Bachelor of Music at London University in 1974 and then trained as a school music teacher.  He moved to Wiltshire in 1978 to be Head of Music at Pewsey Vale School, where he remained until his retirement in 2012.

He has been Musical Director of Devizes Chamber Choir 1981-91, Organist and Choirmaster of St Mary’s Market Lavington 1986-2000, and Musical Director of Swindon Gilbert and Sullivan Society 1993-2006.  He freelances regularly as organist, accompanist and viola player, and is Principal Viola of Salisbury Symphony Orchestra.

Brian Lloyd-Wilson (violin)

The conductor/violinist Brian Lloyd-Wilson formed The City of London Chamber Players and has toured with them in Europe, given concerts throughout the UK and appeared on live TV in 22 countries.

Brian is conductor of the Hampshire County Youth String Orchestra and assistant conducting teacher to Peter Stark for his intensive conducting courses.  He has appeared as guest conductor with ensembles including London Camerata, Bristol Camerata, Harlow Chorus, Philharmonia Britannica, London Lawyers Orchestra, Otto Voci, and St Thomas-on-the-Bourne Chamber Choir.  He has worked as consultant to the leading Beethoven scholar Jonathan Del Mar on his Baerenreiter editions of Beethoven’s Violin Concerto and two Romances, and appeared as guest leader with many groups including the Gabrieli Consort and Players.  His name can be seen on CDs of all the major English period instrument groups.  He has toured the world from Japan to Mexico, Sweden to Turkey, and has appeared in most of the principal European festivals and broadcast widely for radio and TV.

Formative years included the guiding influence of Wells Cathedral School, the Guildhall of Music and Drama and York University where he gained his Masters degree.  He is indebted to the late Hans Keller in the field of chamber music, Yfrah Neaman and Nannie Jamieson in violin and viola playing, Alan Hacker in performance practice, Geza Silvay in violin pedagogy, Peter Stark in conducting and, most important, to the daily stimulation of his colleagues.

Laurie MacLeod (cello)

Laurie has spent her career as a baroque cellist and viola da gamba player, touring with leading singers and chamber musicians across Europe and America.  She has performed with His Majesty’s Sagbutts and Cornetts, The City of London Chamber Players, and Chiaroscuro.  She has broadcast widely for radio and television, the BBC, PBS, SRF and RTVE.

Laurie has degrees in music performance and composition from the University of California in Los Angeles.

She taught cello for many years, both privately and in the independent sector, primarily for Marlborough College.

Matthew Lloyd-Wilson (violin)

Matthew Lloyd-Wilson began the study of violin, piano and voice at a very young age. At the age of 8, he began to sing in Westminster Abbey’s world famous choir, eventually becoming Senior Queen’s Chorister. Whilst at the Abbey, he sang for TV and radio broadcasts of numerous state occasions, the Royal Wedding and several recordings for Chandos.  He toured to Moscow, sang for the Pope in St. Peter’s, Rome, and made his BBC Proms debut as treble soloist in Mahler’s Das Klagende Lied with the BBC Symphony Orchestra and Chorus conducted by Edward Gardner.  A three-part TV documentary on the life of Westminster Abbey (recently rebroadcast) featured Matthew as soloist.  He also appeared on Prince Charles’s documentary tribute to Hubert Parry.

After retiring his treble voice, Matthew was a music scholar at Winchester College for two years and won the Junior Kirby Composition Prize and awards in both junior (piano) and senior (violin) sections of the Beaulieu Music Awards. Other recent awards include the Bournemouth 2015 Young Musician of the Year, Senior String Prizes in Southampton and Farnham Festivals, the Tilford Baroque prize and the Woking Festival Concerto prize.  He is sponsored by the Bournemouth Rotary Club to progress to the finals of the national Rotary Young Musician Competition. He will be performing the Mendelssohn Violin Concerto with the Winchester Symphony Orchestra as part of the Winchester Festival on the 3rd of July.

Matthew leads the Hampshire County Youth Chamber Orchestra and the Surrey County Youth Orchestra, sings as a part-time lay clerk at Guildford Cathedra, and continues to play chamber music. He studies conducting with Peter Stark, violin with his father, and singing with Matt Spillett. He is grateful to the Hampshire Foundation for Young Musicians for their support.

Tickets  are available for just £10 each from the Salisbury Playhouse Box Office (telephone: 01722 320333) or on the door.

Farley Music Festival

All Saints' Church